Program Notes

Guest speaker: Terence McKenna

[NOTE: All quotations below are by Terence Kenna.] >http://astore.amazon.com/matrixmasterscom/detail/0872864480“Ayahuasca is driven by sound, by song, by whistling. And its ability to transform sound, including vocal sound, into the visual spectrum indicates that some kind of information processing membrane or boundary is being overcome by the pharmacology of this stuff. And things normally experienced as acoustically experienced becomes visibly beheld, and it’s quite spectacular.”

“It’s [ayahuasca] essentially ‘brain soup’. There’s nothing in it which doesn’t occur naturally in human neuro-metabolism.”

“It’s [ayahuasca] the only hallucinogen I know, where if it’s made right, the next day, or the day after the experience, you actually feel better than if you hadn’t done it.”

http://astore.amazon.com/matrixmasterscom/detail/0938190806“What it [the ayahuasca experience] is is a self-generated, self-controlled immersion in a non-causal, parallel construct of some sort.”

“This is the key. If you get into deep water with these substances, this is true of psilocybin as well, you don’t want to clench, you don’t want to assume the fetal position and stop breathing. You want to sit up straight and breathe, and sing, and sing it back, and it will step back. You can take control of your situation … most of the time.”

“In the silence, in the darkness, swept away by these alien alkaloids and the plant-mind behind them, you find out a truth that can barely be told. And most of it can’t be told.”

“Ayahuasca loves to take prideful people and rub their nose in it. I mean it can make you beg for mercy like nothing. You have to really approach it humbly.”

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Transcript

00:00:00

Greetings from cyberdelic space.

00:00:19

This is Lorenzo, and I’m your host here in the psychedelic salon.

00:00:23

This is Lorenzo, and I’m your host here in the Psychedelic Salon.

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And after having just returned from a week away, I usually kind of dread checking my email,

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mainly because I know I’m not going to be able to answer it all.

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But this time I was really overwhelmed with the number of donors who have sent some of their hard-earned money on our way to help out with the out-of-pocket expenses associated with producing these podcasts and the Burning Man lecture series.

00:00:51

To begin with, I want to thank Bob and Cicely, who I have now also had the good fortune to

00:00:57

meet in person.

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As has happened twice before since I began doing these podcasts in 2005, their donation was so sizable that I can only call it a grant.

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And thanks to these grants, I am now firmly committed

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to bringing the Palenque Norte Playa Logs back to Burning Man next year.

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As you know, last year was the first time since 2003

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that we didn’t produce a lecture series on the Playa.

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But that isn’t going to happen

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in 2009 because I now have that adventure almost all saved up for.

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So Bob and Cicely, thank you again from the very bottom of my heart, not just for the

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overly generous donation, but also for all of the great work that the two of you do each

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day to support our community.

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And in addition to the grant from Bob and Cicely,

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I was really blown away to also have received donations from the Jason Bennett Actors Workshop

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and from Tony D., both of whom also donated in the past.

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And on top of that, donations came in from Jesse G., Daniel W., East Forest, and from Greg B.

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Although I no longer celebrate Christmas, receiving so many donations at one time

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sure reminded me of some of the fond memories I have of my boyhood Christmases.

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But I should also probably mention something that Greg B. said in a short

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email that he sent along with his donation. And he said, Hi Lorenzo, thanks for blowing our mind.

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Thanks for preserving McKenna’s fantastic talks. And thanks for all the hard work. P.S. If you are

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going to post a thank you card, the U.S. address shown is not valid. Save your time and money. And so I am reminded once again to mention that I am probably the world’s worst podcast host,

00:02:56

in that I’ve only been able to keep up with sending thank yous here in the podcast.

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When I first began receiving donations, I always tried to send a little thank you email along, Thank you. To the donors that I’m thanking today and to all of our donors in the past, I sincerely apologize for not being better at sending personal thank yous.

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But if I don’t strictly limit my email time each day, I would never get anything else done.

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So I hope you don’t take too great of an offense at my lack of social graces

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because you truly are all in my heart and I think of you all every day.

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You truly are all in my heart, and I think of you all every day.

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And one last note about today’s donors is that East Forest not only sent money,

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but has also produced some wonderful music for the world to download for free.

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And I’ll say a little bit more about that at the end of today’s podcast.

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But first, let’s get on to another talk by the good bard McKenna.

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And today, since I’m sort of in an ayahuasca frame of mind,

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I also thought that it might be a good time to play a little talk that Terrence McKenna gave about the vine.

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Copies of this talk have been sent to me by several salonners,

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and in case you haven’t already done so, you can Google MP3 and then Terrence McKenna in quotes, and I think you’ll probably find over 60,000 hits.

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So if you need a McKenna fix and you haven’t heard enough of him here in the salon, well,

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there are quite a few other places where you can find these interesting talks.

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But to whomever it was who made this recording and then posted it on the net, I also send my deep thanks. Thank you. Diet, Rituals, and Powers. But this is one of the few McKenna talks I’ve found

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in which he goes on at length about his relationship to this sacred medicine.

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And if you have ever had the good fortune to participate in an ayahuasca ceremony,

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you know quite well that this is definitely not in the category of a recreational drug.

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However, I guess I should add that a friend of mine calls it a re-creational drug, and

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I can attest to the fact that over the past ten years, it certainly has helped me re-create

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myself.

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But that’s a story for another day.

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Right now, it’s time for a little more of the good bard McKenna and this time talking about ayahuasca

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and its recipes. But I should let you know that there are a few things he says that I

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have a serious disagreement with. So for what it’s worth, just because this is Terence McKenna,

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it doesn’t necessarily mean that all of the information you hear is necessarily correct.

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Now, if that doesn’t make you pay closer attention to this little talk, I don’t know what will.

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So let’s join Terrence now and see what he has to say on the topic.

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As far as what I can contribute to the ayahuasca discussion, most of the samples that Jonathan

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most of the samples that Jonathan discussed

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this afternoon

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were actually collected

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by Cass and myself

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in 76

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and then Dennis wrote that picture

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using those samples

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and some that he had obtained

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earlier that year

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they all

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most all came from a single shaman,

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John Fidel Mosandice,

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who was then at Yurina Kosha near Sepulchra.

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We bio-assayed all those groups,

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and they were very strong.

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When I began making my own ayahuasca I used those experiences as the benchmark for what

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I was trying to achieve with my own brews in terms of recipes if you want to you know rather

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than trying to substitute an analog if you’re still interested in what goes into a healthy dose of ayahuasca.

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The way what I settled with, I had a clone of single individual plant called Plowman 6041

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that Tim Plowman had collected in Muri Maglus in 1970 that was called a Cielo ayahuasca.

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The ayahuascaros recognize types of ayahuasca more differentiated than the species.

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They speak of Cielo ayahuasca, Trompitero ayahuasca, so forth and so on.

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So this is a Cielo ayahuasca, so forth and so on. So this is a Cielo ayahuasca,

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flounder 6041.

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I grew it for many years,

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and when I made ayahuasca,

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I used 500 grams of fresh material per dose,

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and 85 grams of fresh stococerea viridis per dose,

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of fresh stocotria viridis

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per dough

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and

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then prepared it

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in the standard way

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which is to boil

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the total

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volume of crushed ayahuasca

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and stocotria viridis

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you make it in a non-aluminum

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pot

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you don’t use aluminum utensils

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because the aluminum is reactive

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and will mess with the effectiveness of the ayahuasca

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and you layer in to the pot

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these pots can be quite large

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you layer in cicotriolese

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crushed banisteriopsis coffee

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the entire plant vigorously smashed with a hardwood club

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to separate the fibrous material, and then you boil it for four hours at a explosive boil, but a constant boil. Pour off the deeply yellow liquid that results.

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Haramine is yellow.

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And you pour off the mother liquor into another container.

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Replace the first wash with a second wash.

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Boil it four hours more,

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then discard all the solid material,

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keep it steaming into the bookshelf,

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and then combine the two washes,

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which is a lot of water, I mean 10, 15 gallons of water,

00:10:07

and then drive it down to the number of doses that you have pre-calculated.

00:10:14

I can make up to 12 to 15 doses at a time in pots of this size.

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And I drive it down to 100 milliliters per dose.

00:10:26

In the final evaporation, you want to be careful not to boil it too rapidly or the sugars which are cooked out of the ayahuasca will tend to caramelize and make it thick

00:10:33

this does not affect the pharmacology of the ayahuasca it makes it hell to

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swallow and if you do it right you can get it down to 100 milliliters and it will still pour

00:10:46

it’s as thin as water

00:10:49

it won’t thicken unless you have boiled it

00:10:52

with too hot a flame

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so you’re not destroying any psychoactive potentials

00:11:00

the more caramelized one and the more liquid one

00:11:02

no, it’s more like it’s an aesthetic thing.

00:11:07

It goes, you’ve hurried it,

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and if you’re giving it to people who are knowledgeable,

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they will comment on this.

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The sign of amateurish ayahuasca is ayahuasca that’s sick.

00:11:19

Does it need to be?

00:11:20

Those are just sugars.

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It’s not doing any good.

00:11:29

needn’t be. Those are just sugars. It’s not doing any good. My interest in ayahuasca,

00:11:36

which I indulged over 35 years or so, began with, and if you haven’t read it, you should probably read Burroughs and Ginford’s book, The Yahé Letters, The Search for the Blue Flash, is how I think it is. And it sort

00:11:48

of initiates the modern era of writing about ayahuasca. The most recent interesting book

00:11:56

about ayahuasca, other than Eduardo’s commentaries on the paintings of Pablo Amaringo, is probably Michael Taustig’s book,

00:12:08

Shamanism, Colonialism, and the Wild Man,

00:12:12

which is just a wonderful book.

00:12:15

Even if you don’t give a hoot about drugs,

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I think it’s a wonderful book for the richness of the language and the way in which he tells the story

00:12:22

of the 20th century history of shamanism in the Kutumayo

00:12:26

region. But my interest in ayahuasca was the same interest that many of the early ethnographers

00:12:34

and anthropologists were motivated by, which was persistent rumors of group states of mind.

00:12:43

As Jonathan mentioned,

00:12:46

the first people to characterize the alkaloid named it telepathine.

00:12:50

This was because they had the grandiose hope

00:12:53

that this would be a telepathic drug.

00:12:57

And in a sense, I think it’s too early to dismiss this possibility.

00:13:01

Most of us think of telepathy as one person hearing another

00:13:07

person think. That I don’t think ayahuasca can deliver, but what it can deliver is an

00:13:14

incredible ability to see what other people mean. Ayahuasca is driven by sound by song, by whistling

00:13:26

and its ability to transform sound

00:13:31

including vocal sound

00:13:33

into the visual spectrum

00:13:35

indicates that some kind of

00:13:38

information processing membrane or boundary

00:13:45

is being overcome by the pharmacology of this stuff

00:13:48

and things normally experienced as acoustics experience

00:13:54

become instead visibly detailed

00:13:57

and it’s quite spectacular.

00:14:00

I mean, I’ve had ayahuasca where, you know,

00:14:03

you can sing a tone and just lay down like a Barnett Newman painting,

00:14:10

a chartreuse line an inch and a half wide in the darkness,

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and then you switch the tone and cross it at a 90 degree angle,

00:14:20

and then as you begin to experiment, discover that the whole modality of behind

00:14:26

your closed eyes is open to being driven by by these sounds and i think probably a lot of the

00:14:35

shamanism especially the off the main rivers shamanism involving ayahuasca is this kind of pseudo-telepathic involvement with sound.

00:14:48

There are a lot of interesting things about ayahuasca,

00:14:52

even in distinction or in contrast with other psycholastic plants.

00:14:58

For example, it’s essentially brain soup.

00:15:04

There’s nothing in it which doesn’t occur naturally in human neural metabolism.

00:15:10

When you take ayahuasca, you alter the ratios tremendously and the concentrations,

00:15:17

but mescaline, so far as we know, salvia desonorum, epogaine,

00:15:27

these things don’t occur ordinarily in human metabolism.

00:15:32

Mescaline might under certain conditions.

00:15:35

But the major psychedelic neurotransmitters

00:15:40

are what are represented in IOM.

00:15:44

And it’s the only hallucinogen I know

00:15:48

where if it’s made right, the next day or the day after the experience, you actually feel better

00:15:54

than if you hadn’t done it. I mean, even with mushrooms, which is dear to my heart,

00:16:01

the day afterwards, I tend to keep the phone unplugged and just, you

00:16:06

know, hot baths and this and that. But on ayahuasca you’re just ready for action at

00:16:12

four o’clock the next morning and the next day. And the hallucinations are extraordinary.

00:16:19

They seem to occur, in a way it seems more versatile than

00:16:25

psilocybin. The hallucinations

00:16:27

can range over

00:16:29

a wider range. I mean, they can be anything

00:16:32

from nature-based

00:16:34

botanical insectile

00:16:36

to

00:16:37

just, you know,

00:16:40

you name it. I remember

00:16:42

one period

00:16:44

of hallucination

00:16:45

on Ayahuasca

00:16:46

where it was

00:16:47

gold Egyptian

00:16:48

hieroglyphics

00:16:49

against black

00:16:50

moving through

00:16:52

these tunnels

00:16:52

and this sort of thing

00:16:55

and it’s very

00:16:56

I think it’s fake

00:16:59

it’s probably

00:17:00

used by more people

00:17:03

than any other

00:17:04

psychedelic plant cult in the world,

00:17:08

if you don’t consider cannabis a plant cult.

00:17:12

And as a strong hallucinogen, you know,

00:17:14

in Colombia, Ecuador, Peru, down into Bolivia,

00:17:19

and then it’s made inroads in the 20th century

00:17:23

in a big way into Brazil,

00:17:26

portions of Argentina,

00:17:28

and then more sophisticated populations

00:17:31

all over the world are getting winged a bit.

00:17:36

Are there any questions for that?

00:17:39

Does it grow in the Panama and the Palmas?

00:17:41

Oh yeah, it’ll grow.

00:17:43

It grows well in Hawaii. Many, many plants have more restricted ranges

00:17:52

than their natural capacity. Most plants have not occupied their full range. This is a consequence

00:17:59

of the glaciers only having melted 20,000 years ago.

00:18:06

I lost it.

00:18:08

I mean, one of the things that interests me that I’ve talked to Chris Blusher about is

00:18:11

I think that there may be banisteriopsis of some sort

00:18:16

instigated in Mayan religion.

00:18:19

Nobody has ever been able to prove this,

00:18:22

but there is a whole elaborate kind of Mayan symbolism

00:18:25

that you see at Tulum and at other sites

00:18:31

that’s called umbilical symbolism.

00:18:34

And I think these things that have been taken for umbilical cords

00:18:37

are probably vines of some sort.

00:18:39

The last time I was at Tikal, in the ruins themselves,

00:18:44

The last time I was at Tikal, in the ruins themselves,

00:18:50

there were many yellow flowers, Malthagaceous flowers, on the ground that had clearly been shed by large vines, which you could see going up into the canter.

00:18:56

And I collected in Belize non-flowering Malthagaceous vines

00:19:02

that I was unable to distinguish from my ayahuasca.

00:19:06

So, you know, this may well be happening, or could have been happening among the classic

00:19:16

miners, but exactly what their drugs were and who used them is pretty expected.

00:19:24

There’s no trace of that in the current mind populations?

00:19:29

Well, there’s no trace of mind…

00:19:33

No, I think the morning glory seeds,

00:19:36

the mushrooms among the Sieramas, the Teckan Indians,

00:19:40

the Zapotecs and the Mixtecs,

00:19:43

among the Maya,

00:19:48

I think the Morning Glory complex and the

00:19:50

Salvia Divinorum

00:19:51

but whatever else may have gone on

00:19:54

you know there’s a whole

00:19:55

Jonathan is the expert on this

00:19:58

but there’s a whole number of plants

00:20:00

which may have been

00:20:01

used for their psychoactive effect in Mexico.

00:20:08

Various coleuses, the Emea salicifolia,

00:20:13

some people believe certain water lilies,

00:20:19

old plants like Cuarera guia sumibre even,

00:20:24

which is now used as a flavoring for certain

00:20:27

kinds of chocolate drinks. Still, there are depictions on pieces of statuary that seem

00:20:34

to suggest that maybe this would have an iconic style of usage in the past.

00:20:40

I have a question about, you’re talking about how the visual experience was driven by sound.

00:20:50

Right.

00:20:52

Have you found that the visions could be driven by anything else?

00:20:56

Any other occurrences besides sound?

00:21:01

Touch or…

00:21:03

Well, I tend to lie down and sit still in silent darkness. I suppose

00:21:10

cannabis helps most of these things. But really, the ayahuasca is extraordinary. The last time

00:21:16

I took it was in a non-traditional setting, but with one other person, and sitting in completely silent darkness.

00:21:26

And this guy had these Tibetan chimes, you know,

00:21:31

the kind you strike with a piece of deer horn?

00:21:34

And it would be completely silent, and he would strike this thing,

00:21:38

and it would literally form a piece of jewelry

00:21:42

or a thing like a machine in the air just

00:21:46

just this thing would come into being and then it would disappear and then he would make another one and it was very clear that we were seeing the same thing because I commented on it and described what I was seeing and it looked like a little thing made out of iridescent titanium

00:22:06

with brass connectors

00:22:09

and it was like an enormous Laurel Birch earring

00:22:12

or something like that.

00:22:14

It’s a very specific kind of object.

00:22:21

I think these things are very mysterious.

00:22:25

I mean, it was a pity that

00:22:27

that Rocio’s English didn’t allow a real discussion

00:22:31

of these stories about the people who disappear

00:22:36

for days when we come in

00:22:38

and go into a parallel world.

00:22:41

Because, you know, if you just think

00:22:44

that these aboriginal people are ignorant savages well

00:22:48

then you can just dismiss it but if you have gotten this far on the premise that shamans know

00:22:54

what they’re talking about well then you have to take very seriously this more outlandish stuff

00:23:00

you know i mean how where do you draw the line you know and ayahuasca is

00:23:07

you know, Eduardo Luna

00:23:09

who some of you know

00:23:10

is very keen to insist

00:23:13

that what ayahuasca is really about

00:23:16

is where you get on

00:23:18

if you keep the diet

00:23:20

for weeks and months

00:23:22

and then take it repeatedly

00:23:26

over and over in these situations of sensory deprivation. And I think these people are basically erasing ordinary linguistic

00:23:36

structures and they live in a world perhaps more than half hallucination and their fears of magical attack

00:23:46

and their relationships

00:23:47

to invisible beings

00:23:49

and all this

00:23:50

is a kind of

00:23:52

I suppose

00:23:52

in western terms

00:23:54

the only thing you could say

00:23:55

is that the kind of

00:23:56

self-generated

00:23:57

self-controlled

00:23:58

schizophrenia

00:23:59

but that’s just a word

00:24:02

schizophrenia

00:24:03

I mean what it is

00:24:04

is a self-generated

00:24:06

self-controlled

00:24:07

immersion

00:24:08

in a non-causal

00:24:09

parallel

00:24:10

construct

00:24:13

of some sort

00:24:15

and

00:24:16

the reason shamans

00:24:18

live in isolation

00:24:19

and on the periphery

00:24:21

of modern

00:24:22

and high density

00:24:24

urban civilization

00:24:25

is essentially so that they can build these castles in the air that they inhabit.

00:24:32

They build unique mythological structures

00:24:36

that are like accretions of their very powerful personalities.

00:24:40

That’s what all this storytelling is about.

00:24:49

personalities. That’s what all this storytelling is about. These stories define the contextual limits of what is possible. And if you live in a culture where night after night, year

00:24:55

after year, you’ve grown up around the fire, hearing the most respected people in the group

00:25:01

tell these outlandish stories, then for you it legitimizes the search for a

00:25:07

doorway out of mundane experience and that’s really the only precondition for finding such

00:25:15

a doorway i mean if you love the weird and you probed it often enough, deeply enough, eventually you’ll hit the jackpot, you know, and the door will

00:25:27

swing open, and IWAS is definitely very effective for doing that.

00:25:35

Yeah.

00:25:37

I guess the Icaros really generate a lot of visions, the Bons sung, and some of those are available on cassette.

00:25:51

Do you think that kind of visionary generation would come through on a cassette,

00:25:52

if you did an ayahuasca analog and played one of these things?

00:25:56

Well, yeah, I mean, if you listen to the music on ayahuasca,

00:25:59

it transforms the music.

00:26:02

You have to be very careful.

00:26:04

I recall many years ago,

00:26:08

it was the night of a total eclipse.

00:26:12

There’s some hellish thing in the sky,

00:26:14

a total eclipse at some time.

00:26:16

And Sunwater and Adele,

00:26:19

who some of you may know,

00:26:20

and I decided that we would do this ayahuasca

00:26:23

that I’d had in the back of the refrigerator

00:26:25

for years and this was like a long time ago maybe eight years ago and I got it out and

00:26:30

I couldn’t remember whether Don Fidel had said always shake the bottle or never shake

00:26:37

the bottle.

00:26:38

So I said well to be safe we should shake the bottle in case that’s what he did say

00:26:46

so I did

00:26:47

and you know

00:26:49

I’ve never had it hit me

00:26:51

so hard

00:26:53

and we were

00:26:54

I had put on a record

00:26:57

which I had previously found

00:26:58

mildly entertaining

00:27:00

and the goal

00:27:02

of the first 40 minutes

00:27:04

of this ayahuasca trip became to survive

00:27:07

the playing of this record. It was so, I don’t know, I’ve had other experiences. A friend

00:27:15

of mine brought me a tape from tribal Afghanistan that I listened to one night in Hawaii on Iowa, and I became so alarmed and freaked out.

00:27:27

And I could hear something in this music

00:27:30

that just shouldn’t have been there.

00:27:32

I could hear that, you know,

00:27:33

this wasn’t whizzing ragheads in Mud Hut somewhere,

00:27:37

that these guys had connections

00:27:39

into the Martian musician’s union.

00:27:43

It was highly agitating

00:27:46

so I think the idolatry

00:27:48

they’re probably tailored

00:27:50

to create a certain aura

00:27:52

of confidence

00:27:53

they’re reassuring

00:27:55

it’s nice to sit with these old guys

00:27:57

and watch them

00:27:59

make beautiful music

00:28:01

and when you’re alone

00:28:03

you can sing too

00:28:04

it’s very important to sing

00:28:06

especially if you become

00:28:07

afraid or alarmed

00:28:10

this is the key

00:28:12

if you get into deep water

00:28:14

with these substances, this is true

00:28:16

of psilocybin as well

00:28:17

you don’t want to clench

00:28:19

you don’t want to assume the fetal

00:28:22

position and stop breathing

00:28:24

and you want to sit the fetal position and stop breathing.

00:28:31

You want to sit up straight and breathe and sing and sing it back.

00:28:33

And it will step back.

00:28:39

You can take control of your situation most of the time.

00:28:49

I want to ask about the parallel universe. American Indian storytelling and mythology has a great deal to say about these things. There are adventure myths about the two young

00:28:54

guys that go out and meet the sea chicks and then disappear for twelve years. This is a

00:28:59

common enduring theme, but it’s my feeling that this person that’s kind of pathetic to me,

00:29:06

and I’d like to just expound a little bit about when you get into that place,

00:29:11

what level of very do you find yourself giving it?

00:29:17

Well, I’m very, very careful.

00:29:21

I mean, like the way I do these things normally is alone and I unplug the

00:29:28

telephone and I don’t tell anybody I’m going to do it and I do it in darkness and I roll

00:29:34

joints in front of me so I don’t even have to move’m so aware of how involved I am in this.

00:29:48

I mean, I think you have to be almost a damn fool

00:29:53

to just grab hold of this stuff and start flailing it around.

00:29:58

I mean, for me, it’s like I creep up to the abyss and hang my head over it

00:30:03

and look, and then I edge back to the abyss and hang my head over it and look and then I edge back from it.

00:30:07

The idea of trying to actually do something is terrifying because it’ll work.

00:30:14

I mean, you can do it, but you don’t understand what you’re doing.

00:30:18

So I like to look as the guy, as Peter Sjoerd is.

00:30:23

But Sjoerd is finding that it’s a purpose for what they’re seeing.

00:30:28

They’re sure.

00:30:29

They’re sure and they get information.

00:30:32

But the main thing, I mean,

00:30:33

I think the getting information thing

00:30:35

is sort of overstressed because it’s astonishing

00:30:38

and it proves that it’s a higher dimension.

00:30:42

I mean, if somebody really can see

00:30:44

who stole the chicken and somebody really can see who stole the chicken,

00:30:46

and they really can see,

00:30:48

then even though it’s a trivial matter about a chicken,

00:30:53

there’s nothing trivial about the fact that they are exhibiting a paranormal ability

00:30:58

which seems to involve the contradiction of cause and effect.

00:31:03

How can they see who stole the chicken

00:31:05

number one

00:31:06

the chicken has already

00:31:08

been stolen

00:31:09

by the time

00:31:10

the question is asked

00:31:11

of the shaman

00:31:12

well so then

00:31:13

does the shaman

00:31:13

travel back in time

00:31:15

does the shaman

00:31:17

read the minds

00:31:18

of everyone

00:31:19

in the tribe

00:31:20

and look and find

00:31:22

who stole the chicken

00:31:23

that way

00:31:24

or is it just an

00:31:25

inspired gift backed up

00:31:28

by social pressure?

00:31:30

What exactly is going

00:31:32

on here? And then

00:31:33

when you turn toward the future,

00:31:36

it becomes even more mysterious

00:31:37

because many of these shamanic things

00:31:40

are about

00:31:40

deciding where the

00:31:43

hunting will take place

00:31:45

and saying, you know, if we go to the second waterfall,

00:31:48

then there will be capybarae to be killed

00:31:51

and then they go and there is and they do.

00:31:55

Well, if you believe that this person actually saw the future,

00:31:59

then you’re coming perilously close to some kind of determinism

00:32:04

which is, you know, not supportable philosophically.

00:32:09

I mean, if the universe is absolutely determined,

00:32:11

then thinking has no meaning.

00:32:15

Because if the universe is determined,

00:32:17

then you think what you think

00:32:19

because you couldn’t think anything else.

00:32:22

So thinking suddenly is divorced

00:32:24

from the enterprise of knowing

00:32:26

reality. And that’s a little

00:32:28

discouraging to those of us who

00:32:30

butter our bread in the

00:32:32

fields of philosophy.

00:32:34

So I think it’s

00:32:36

very mysterious.

00:32:38

The model that I use for all

00:32:40

of these psychedelics

00:32:42

is a mathematical

00:32:43

model, not a psychological model

00:32:46

or a spiritual model,

00:32:49

but a mathematical model.

00:32:51

Mind, under the pressure of evolution,

00:32:55

under the pressure of the need

00:32:56

to defend self and offspring,

00:33:00

has folded itself down

00:33:02

into the three-dimensional

00:33:04

space-time matrix of the body.

00:33:07

Mind has crippled itself in order to caretake the body and the here and now.

00:33:16

Well, when you take these psychedelics, it’s like it’s severed.

00:33:20

The mind is severed from the physical envelope,

00:33:24

and you wander in a much larger

00:33:27

dimension, and it is literally a higher dimensional manifold, and that’s how these apparently

00:33:36

miraculous and magical things, that’s why the shaman can see into a human body, because in a higher dimension,

00:33:48

the inside and the outside are the same place.

00:33:50

There is no distinction. So it’s an inner sensorium

00:33:54

that has a higher dimensional character to it.

00:34:00

It’s a great mystery.

00:34:01

It doesn’t mean to detain us here,

00:34:04

but it’s a great mystery, you know, and it doesn’t mean to detain us here, but it’s a great mystery the relationship of consciousness to number,

00:34:09

and of nature to number.

00:34:12

After all, nature is nature, the deployed three-dimensional physical world in its dynamic.

00:34:19

Numbers are abstractions generated, so far as we know, only by the human mind.

00:34:25

They are inventions of the human mind.

00:34:29

And yet nothing is as descriptive of nature,

00:34:33

no tool is as powerful as the scripture of nature

00:34:37

as mathematics.

00:34:39

Why is this?

00:34:40

Well, Ayahuasca seems to say is because the mathematical, the higher mathematical

00:34:49

dimensions of the world are objects not merely for abstract deductive discovery, but for

00:34:58

experiential encounters. And then if this is true, then our world as we experience it in the here and

00:35:06

now and day to day is hopelessly limited and circumscribed. It is a very limited world

00:35:17

that we’re operating in, inside our culture, inside our language, inside our body, and so forth and so on.

00:35:25

And in the silence, in the darkness, swept away by these alien alkaloids

00:35:31

and the plant mind behind them, you find out a truth that can barely be told.

00:35:40

Most of it can’t be told.

00:35:44

Yeah.

00:35:46

What about your sense of self in the…

00:35:51

In the Iowa system?

00:35:53

Yeah, in the ego and then like…

00:35:55

Well, I think that these things are very humbling.

00:36:03

It’s very hard to do if you have an ego.

00:36:07

For instance, if you’re the kind of person that other people consider a jackass,

00:36:13

it’s pretty hard to do these things if other people’s judgment on you is correct.

00:36:20

The person who can dominate a noisy bar is not probably a good candidate for ayahuasca.

00:36:31

That kind of bravado and machismo.

00:36:35

Ayahuasca loves to take prideful people and rub their nose in them.

00:36:43

It can make you beg for mercy like nothing. You

00:36:47

have to really approach it humbly. I mean I speak from experience. I probably am easily

00:36:57

betrayed into assuming I know what I’m doing and that’s the moment when catastrophe strikes. What I always say to it when I go into

00:37:07

this, I say, you know, I’m going to take a big dose so please don’t kill me. Here I am, I’m yours,

00:37:17

I surrender, I hold nothing back, I didn’t cut the dose, I didn’t water the tea, so please don’t kill me. And then

00:37:28

it usually responds by not killing you, if it’s so amused you. You can’t demand it.

00:37:39

The real bad trips come when you try to put the squeeze on it, when you try to force a piece of information.

00:37:49

And actually, that’s the difference also in the cultural context of ayahuasca, in many

00:37:56

areas where there’s been a lot of social disruption, the fear of the roads, or hundreds of years

00:38:02

of missionary influence, and what is still remaining in the ayahuasca culture is that the people always drink it with some kind of intention

00:38:10

either to heal someone or to send a star or a spell to kill someone or something.

00:38:16

They don’t just take it to completely just surrender themselves to the plague.

00:38:20

But what they do too, like during their initiation and stuff, I mean once they, like the shamans I guess, or even a lot of the young people really,

00:38:26

they’ll just take it with something in mind.

00:38:29

Of course there’s exceptions, so the difference with that is that a lot of times

00:38:34

you hear a lot of weird stories about like, I don’t know, like young upstart shamans

00:38:40

that have like a light and don’t tap them or a tree fall.

00:38:44

And stuff like that, and there’s a lot of weird black magic that goes on too

00:38:49

because a lot of people just don’t know what it is.

00:38:52

A lot of death virtues into ayahuasca,

00:38:56

into black magic.

00:38:58

And I think a lot of shamans,

00:39:01

they like to just graze the underbelly of the thing. They’re really

00:39:10

concerned about their community and healing sick people and holding it all together. It’s

00:39:17

an exceptional personality in any society, Amazonian or urban American who is a

00:39:25

go for the gusto

00:39:27

kind of person who just wants to get as

00:39:30

loaded as they possibly can

00:39:32

I mean this shaman

00:39:33

that I studied with in Peru

00:39:35

the ayahuasca that we would take on Saturday

00:39:38

nights of touring

00:39:39

would be only about two thirds

00:39:41

of strong and then every

00:39:43

Wednesday night,

00:39:46

we would take just he and a couple of other people.

00:39:51

He said, this was our school.

00:39:55

He said, this is when we learn.

00:39:57

On Saturday nights, we cure the people.

00:40:00

But on Wednesday nights, we plunge to the depth.

00:40:04

But on Wednesday nights, you know, we’d plunge to the depth.

00:40:14

And it was a much more intense, quiet, inward kind of driving in those situations.

00:40:20

So if we took our walk on a Wednesday, would we have any simultaneous experiences?

00:40:23

Quite so.

00:40:27

Every Wednesday. Every day of the week.

00:40:30

The week is loaded.

00:40:39

How would you compare the nature of reality or perceived reality under ayahuasca and under mushrooms?

00:40:45

Well, the thing about psilocybin that is so extraordinary and I think enough people have experienced this

00:40:48

now that we can make a generalization

00:40:50

about it

00:40:50

the mushrooms talk

00:40:53

they speak to you

00:40:56

in your native tongue

00:40:58

and at conversational speed

00:41:00

and it’s the damnedest thing

00:41:02

until it happens to you

00:41:03

you can’t imagine what somebody could be talking about once it’s, you know, the damnedest thing until it happens to you. You can’t imagine

00:41:05

what somebody could be talking about. Once it happens to you, you know exactly what they

00:41:10

mean. The mushroom is animate and articulate and also kind of extraterrestrial. Its hallucinations Hallucinations tend to be grandiose, the history ending,

00:41:30

the galactarian destiny that awaits the biological overmind.

00:41:33

It’s this ta-da, ta-da, kind of thing.

00:41:38

Ayahuasca is biological and organic,

00:41:44

and you feel the spirit of the forest like Rocio said it’s more feminine

00:41:48

and after a good ayahuasca trip

00:41:51

you feel like your eyes

00:41:53

are just bugging out of your head

00:41:55

because you’ve spent so much time looking

00:41:58

the language of ayahuasca is visual

00:42:01

it shows you

00:42:03

and shows you

00:42:04

and shows you and shows you and shows you.

00:42:06

And once this showing gets going, you know, it’s hard to shut it off.

00:42:10

I mean, it really wants to show, but it silently spills out this cornucopia of images.

00:42:19

And you sing and you manipulate them.

00:42:22

Where the mushroom is highly

00:42:26

articulate. It also

00:42:28

is visual, but it also

00:42:30

can talk, which is

00:42:32

just such an astonishing thing for a

00:42:34

Western. I mean, we are just not

00:42:36

prepared for talking fun child.

00:42:39

Have you tried the two together?

00:42:40

The two together?

00:42:42

I wouldn’t do that, actually, because

00:42:44

I think the monoamine

00:42:46

oxidase inhibiting properties

00:42:47

of the harmine would so

00:42:49

intensify and synergize

00:42:52

the psilocybin

00:42:53

that you might find yourself

00:42:56

swinging from the chandelier

00:42:57

and the shamans

00:43:00

don’t do that either

00:43:03

in the Amazon

00:43:04

and you can rarely get an Iowaahuasca to give you the time of day regarding mushrooms.

00:43:11

They always say, well, we use mushrooms when we don’t have ayahuasca.

00:43:15

But the caveat is that we always have ayahuasca.

00:43:19

Thank you.

00:43:22

Is it common for women to understand the jungle women taking ayahuasca? it depends on the tribal

00:43:32

it depends on the people

00:43:33

but around Kukalfa

00:43:35

there were women in the circus

00:43:38

there was this woman

00:43:39

this ancient woman

00:43:41

who

00:43:42

just she drank with the best of them this ancient woman, Nisra Ura Angula, who just, you know,

00:43:46

she drank with the best of them

00:43:48

and would recount outrageous visions.

00:43:52

And this lady must have weighed under a hundred pounds.

00:43:55

One of the shamanesses,

00:43:57

or shaman, female shamans,

00:43:59

that we tried to contact in 76

00:44:02

is this famous woman

00:44:04

who studied with Manuel Cardoso Rios,

00:44:07

the guy who wrote Wizard of the Upper Antelope.

00:44:09

Her name was Juana Gonzalez Ope.

00:44:12

He told us about her.

00:44:14

She had come to him as a girl of 25 with leprosy,

00:44:20

and he had taken her into the woods for six months

00:44:26

and cured her of leprosy,

00:44:28

which if you can cure leprosy with ayahuasca

00:44:31

is definitely an unorthodox idea.

00:44:33

And she became a major ayahuasquera in this area

00:44:39

and her stuff was said to be the best.

00:44:44

But she had lost her

00:44:46

hands and her feet

00:44:48

so the experience of taking

00:44:50

ayahuasca with her

00:44:52

was fraught with

00:44:54

her presence

00:44:56

which was freaky

00:44:57

from the extreme

00:44:59

especially in the flickering

00:45:01

firelight

00:45:03

there’s a

00:45:07

sort of a new field of

00:45:09

missing feeling of sound

00:45:11

in which a person’s voice

00:45:13

is analyzed in a spectrum analyzer

00:45:15

and the missing notes are provided

00:45:17

to that person

00:45:18

either by singing or humming

00:45:21

to get the person to just

00:45:23

match the note that he’s missing

00:45:24

apparently will heal all kinds of ailments and I’m wondering if you can

00:45:28

see sounds with the

00:45:34

sound that person’s voice is making what’s totally missing in his picture

00:45:38

as in singing or dancing

00:45:41

well there’s the obvious that there’s some kind of diagnostic sensitivity to

00:45:46

invisible stuff

00:45:49

that we don’t ordinarily

00:45:51

perceive

00:45:51

we were talking last week

00:45:54

some of you may have seen this

00:45:55

I mention it because I’m trying to confirm it

00:45:58

I’ve seen on three occasions

00:46:01

in my life

00:46:02

at about this life level

00:46:04

sitting watching someone in profile

00:46:08

as you’re watching me

00:46:10

on a very slight dose of mushrooms

00:46:14

there’s something which goes on

00:46:16

in front of the person’s mouth.

00:46:19

It looks like

00:46:20

it looks like oil in water.

00:46:25

And my rational explanation for what this is

00:46:28

is that you pull air into your lungs

00:46:32

and it is heated

00:46:33

and therefore it has a slightly different refractive index

00:46:37

than the cold air in front of your face.

00:46:41

And so when you speak,

00:46:43

the mixing of the hot and cold air can be perceived

00:46:46

under some conditions and I would get photographed under some conditions as a kind of oily, turbulent

00:46:55

something in front of your mouth. Well, is that cheerful explanation correct or are we on the brink of something else, some more demanding or exhaustive phenomenon?

00:47:11

I don’t know.

00:47:13

Going back just a little bit, I should probably mention a friend and I have been growing ayahuasca clones,

00:47:20

I guess it’s from your clone, actually, for three years. And in the lack of the stichococci or DMT additives,

00:47:30

my friend has reported numerous successes with shrooms.

00:47:35

Adding the shrooms to the ayahuasca?

00:47:37

Yes.

00:47:38

What proportion do you make?

00:47:40

I’m not sure.

00:47:41

It would be interesting to know.

00:47:44

I think you might get away with that.

00:47:46

Probably what it would be is a fair bit of ayahuasca and a tiny bit of mushrooms.

00:47:52

One of the longest, hardest evenings I ever spent was,

00:47:57

I got the idea I would take half a dose of ayahuasca and half a dose of mushrooms. And I felt like I was battling demons to return

00:48:10

with a shred of my sanity. I mean, it was just ghastly. I was pretty phobic of that

00:48:18

combo.

00:48:19

You took them at different times?

00:48:21

No, I took them together. Two and a half grams of mushrooms and a half

00:48:26

a dose of aromalost and it turned me every way but loose. It was unpleasant. I mean,

00:48:33

I really thought I had done it this time. What it did was it interfered. It was very

00:48:38

clear what was happening. It was very clear. What seemed to be happening was that it was interrupting

00:48:45

RNA transcription of short-term memory.

00:48:49

So I knew who I was and my history

00:48:53

and how I had gotten into this situation,

00:48:56

but I couldn’t remember the last three minutes at all.

00:49:01

And this would create this anxiety in me.

00:49:04

And then I would forget this anxiety in me.

00:49:08

And then I would forget why I was anxious.

00:49:12

And then that would create more anxiety.

00:49:16

And I was into some kind of intellectual regress that was…

00:49:17

And I was just riveted in this chair

00:49:20

and I thought, you know,

00:49:22

if this doesn’t unsnap itself, they’ll just put me in a ward

00:49:27

somewhere you know I’ll just be carried out of here and it it felt like you know that scene in

00:49:34

2001 when he the guy is outside making the repair and then he comes back and says open the pod door, Hal. I can’t do that, Dave.

00:49:46

Well, it was hard to see.

00:49:48

I could almost see

00:49:50

the jam in the end

00:49:52

of that machinery

00:49:53

in the synapse.

00:49:55

I mean, I had this very clear vision

00:49:57

of, oh God,

00:49:59

it’s gone down the wrong pathway.

00:50:01

The degradated enzyme

00:50:02

has somehow been locked out

00:50:04

of the process.

00:50:05

And here we are, folks, circling the airfield, running out of fuel, zero visibility down below.

00:50:14

And after about two to three hours of this, it invades us.

00:50:23

You’re listening to The Psychedelic Salon,

00:50:26

where people are changing their lives one thought at a time.

00:50:32

Now, I have to say one thing about the instructions

00:50:35

Terence just gave for making ayahuasca,

00:50:38

and that has to do with its consistency.

00:50:42

Early on in this talk,

00:50:43

he said that the ayahuasca he brewed was as thin as water.

00:50:48

In fact, he even said that the sign of amateurish ayahuasca is that it’s thick.

00:50:54

Well, that kind of blew me away, because all of the ayahuasca I’ve drunk has been thicker

00:51:00

than pea soup.

00:51:01

In fact, I am willing to state unequivocally that, in my humble opinion at

00:51:06

least, dear Terrence was dead wrong about that, completely wrong. But he is certainly right about

00:51:13

it being difficult to get down when it’s thick. In fact, I’m about to gag just thinking about it

00:51:19

right now, so I’d probably better change the subject. As to his comments about the possibility that ayahuasca

00:51:26

might be a telepathic drug, well, I’ve heard several accounts of this being the case and,

00:51:33

in fact, have actually experienced it quite vividly one time myself. So, while it may not

00:51:39

always provide a pathway into the realm of telepathy, I do think that the possibility is always there

00:51:46

and is certainly something that an enlightened culture

00:51:49

would systematically look into.

00:51:52

Maybe the reason Terrence didn’t think that ayahuasca

00:51:55

could deliver on the claim of being a telepathic drug

00:51:59

is maybe it’s because the brew he was drinking was thin as water

00:52:03

and he wasn’t getting sufficiently high on it.

00:52:06

And I don’t mean to sound like I’m berating dear Terrence here,

00:52:10

but my hunch is that if he were alive today

00:52:13

and had an opportunity to travel to the jungle

00:52:16

and work with some of the ayahuasqueros that I know,

00:52:19

well, maybe he would revise his thinking

00:52:22

on some of these points he has about ayahuasca.

00:52:26

But once again, this is something you’ll have to unravel for yourself.

00:52:30

Until you’ve had some personal experience with the vine,

00:52:34

it might be best for you to not lock on to anything you’ve heard from me, Terrence, Mateo, or anyone else about it.

00:52:41

Because just like Burning Man, it’s something that is almost incomprehensible

00:52:46

until you experience it for yourself.

00:52:49

Another question that was just asked of Terence

00:52:52

is to compare the experience under mushrooms

00:52:55

versus the experience under ayahuasca.

00:52:57

And as you recall, Terence said the mushroom is animate,

00:53:01

articulate, and also kind of extraterrestrial.

00:53:06

I guess the way I would phrase it is that the mushroom consciousness is very cosmic in feeling,

00:53:12

and with ayahuasca you feel the spirit of the forest and of the planet.

00:53:17

And on those two points, I agree with him.

00:53:19

In fact, just recently, several friends and I were talking about the difference between mushrooms, ayahuasca, and LSD, and we more or less came to the same conclusions about

00:53:30

mushrooms and ayahuasca. However, we all had slightly different takes on acid. And as to

00:53:38

the question about the use of ayahuasca by women, just let me say this. I know quite a few women, a lot of women actually,

00:53:47

who are extremely proficient in their use of ayahuasca. In fact, I know many women who are

00:53:53

much more in tune with the vine than I am. For sure, this is not a gender-specific experience.

00:54:00

If anything, it has been my observation that Lady Ayahuasca actually prefers working with women over men.

00:54:06

But that’s just one person’s opinion.

00:54:09

Now, there are just a couple of other things I want to mention today.

00:54:13

And the first is that I want to thank everyone who has been contributing to our Notes from the Psychedelic Salon blog

00:54:20

and the even larger number of people who are active on the forums over at thegrowreport.com.

00:54:27

In case I haven’t made it clear, the Grow Report forums include a whole lot more than

00:54:34

just the Psychedelic Salons forum.

00:54:36

I haven’t counted them all, but there are forums for all of the podcasts from the Cannabis

00:54:42

Podcast Network at dopetheme.co.uk.

00:54:46

Plus, Xandor and Mrs. Z have also included forums for the Sea Realm, Blacklight in the Attic, and many others, including their own wonderful podcasts.

00:54:56

This is a very active and highly intelligent community of psychonauts.

00:55:01

And I highly recommend that you at least surf over there and do a little

00:55:05

lurking if nothing else.

00:55:07

I know for certain that I have learned quite a lot from some of the lengthy discussions

00:55:12

that our community is having there on those forums.

00:55:16

And I also want to welcome Bebe back to the bungalow.

00:55:20

And in case you haven’t been keeping up with the monthly podcast from Bebe’s Bungalow,

00:55:25

it’s been hosted for the previous two programs by the most excellent J.K. and S.E.B.,

00:55:31

who did a terrific job while she was away.

00:55:34

And we owe the two of you a real debt of gratitude for keeping the bungalow’s doors open.

00:55:40

And then Bebe came back with one of her finest programs, I think,

00:55:44

which is number 15, in case you’re hearing this in some future time warp.

00:55:49

And by the way, that is Bebe, whose velvet voice you hear right after the lecture I play each week.

00:55:55

So welcome home, Bebe.

00:55:57

And there is another podcast I’d like to point out to you.

00:56:02

I just began listening to it in the past few days,

00:56:05

and I’m already a big fan.

00:56:07

The podcast is by Jan Ervin,

00:56:10

and is called Gnostic Media.

00:56:13

Now, I first became aware of Jan’s work

00:56:15

with the publication of his book a few years ago

00:56:18

that’s titled Astro-Theology and Shamanism,

00:56:22

Unveiling the Law of Duality in Christianity and Other Religions.

00:56:27

And I see now that he has a new book that has just been published and is titled,

00:56:32

The Holy Mushroom, Evidence of Mushrooms in Judeo-Christianity.

00:56:37

Now, I actually learned of his podcast through my friend, Dr. John Hoopes,

00:56:41

who you heard briefly in my podcast number four, where Daniel Pinchbeck

00:56:47

deferred to him to explain some details about Mayan history.

00:56:52

Interestingly, Jan interviews Dr. Hoops in his fourth podcast, which is a nice little

00:57:00

synchronicity because that’s the fourth podcast is where I also had his little soundbite.

00:57:04

synchronicity because that’s the fourth podcast is where I also had his little soundbite.

00:57:12

Now, Jan’s first program does suffer from a few technical difficulties, as mine did for almost the entire first year, I might add.

00:57:15

But all of his podcasts are extremely interesting, and I particularly recommend also a couple

00:57:21

of his unnumbered programs.

00:57:23

One, in in fact is titled

00:57:25

Cannabis, Hemp, Marijuana.

00:57:27

That’s a two-hour radio interview

00:57:29

that Jan did a year or so ago.

00:57:33

Despite the title

00:57:34

of the program, the second hour

00:57:35

is one that I think you will find very

00:57:37

fascinating, particularly

00:57:39

if you are still trapped in the

00:57:41

quicksand of religious dogma that

00:57:43

was forced upon you as a child.

00:57:46

Now, I’ve read quite a bit about cannabis, including the absolutely essential

00:57:51

The Emperor Wears No Clothes by Jack Herrer.

00:57:54

But I still learned a lot about cannabis from that podcast that I didn’t know before.

00:58:00

And as I just said, if any of our fellow salonners are still suffering from lingering traces of religious brainwashing from their childhood, the second half of that program may hold the keys to getting you on the path of recovery from your indoctrination as a child. as well as several of Jan’s websites, which include GnosticMedia.com,

00:58:25

PharmacraticInquisition.com, HempForFuel.com, TheHemperer.net, and JohnAlegró.org.

00:58:37

And I’ll post links to all of those sites along with the program notes for this podcast

00:58:42

on our notes from the Psychedelic Salon blog,

00:58:45

which you can find at psychedelicsalon.org.

00:58:49

You know, Jan is not only highly talented, but he also has an abiding passion for his work

00:58:55

and is one of the most articulate spokespersons for our community that I know of.

00:59:01

After listening to the way he responded to a radio listeners persistent and

00:59:06

very negative questioning in Jan’s shamanism interview, I was completely blown away. So I

00:59:14

hope you’ll give Jan a listen and a read because in my humble opinion his information is right up

00:59:20

there with that of the good bard McKenna. And in fact, it may be Jan who is the original source of many of these McKenna talks that

00:59:28

have been floating around the net for so long.

00:59:31

And if so, well, thank you, Jan.

00:59:33

We really appreciate everything you do.

00:59:36

Finally, I want to read part of an email that I received from one of this week’s donors,

00:59:42

Trevor O. of East Forest.

00:59:44

And here’s part of what he had to say.

00:59:47

Hi, Lorenzo. I’m not sure if this is your email or not,

00:59:50

but I thought I’d give it a whirl.

00:59:52

And by the way, my email is simply lorenzo at matrixmasters.com.

00:59:59

And the only reason I don’t make it too easy to find

01:00:02

is that I always feel so guilty about not being able to answer all of my email.

01:00:07

However, like most people, I really do enjoy receiving it.

01:00:10

So my apologies for not writing back, but I can assure you that I do read it all.

01:00:16

Now, getting back to Trevor’s email, he goes on,

01:00:19

I discovered the psychedelic salon a few months back, and what a discovery it was.

01:00:23

I’ve been blissfully traveling on a beautiful floating carpet of mind manifesting thought ever since.

01:00:30

It has been a lovely companion while walking the streets of New York City and in my creative work.

01:00:35

I wanted to extend my thanks for your effort in getting this information out there.

01:00:40

In the spirit of giving, I also want to drop you a line about something I’ve been working on that is certainly related.

01:00:46

It’s called East Forest, a unique musical project that combines 100% original field recordings with ethereal, melodic soundscapes,

01:00:56

with the intention of fostering introspection and mind expansion.

01:01:02

expansion. Like the Psychedelic Salon, all East Forest music

01:01:03

is and always will be free to download

01:01:06

at www.eastforest.org

01:01:10

and is distributed through a

01:01:11

Creative Commons license. In addition

01:01:14

to releasing music, the website

01:01:15

also serves as a blog featuring

01:01:17

a wide variety of media

01:01:19

that relates to the subject of consciousness.

01:01:22

Against this backdrop of

01:01:23

news, videos, articles, and anecdotes, the music is designed to act as a practical tool © BF-WATCH TV 2021 The Education of the human experience.

01:02:07

And I’m just trying to spread the love around.

01:02:09

Thanks for any help and enjoy.

01:02:12

Well, Trevor, you’re doing far more than your part to make this a better world.

01:02:16

And after visiting EastForest.org, I’m even more impressed.

01:02:21

This is a very interesting blog, and my guess is that you’ll like it, too.

01:02:24

impressed. This is a very interesting blog, and my guess is that you’ll like it too.

01:02:32

And after I sign off, I’m going to play one of their songs that is titled Run. And please keep in mind that the sound quality I use for these podcasts really isn’t high enough to give you a

01:02:38

true appreciation of their music. You really need to hear it at a better recording level,

01:02:43

which is the one that’s available for their free download.

01:02:47

So if you are looking for some gentle music to journey with or some podcast-safe tunes to add to your own programs, you might want to check them out.

01:02:56

And by the way, the artwork on their site is also a mind-blower.

01:03:00

My compliments to the artists.

01:03:02

mind blower, my compliments to the artists.

01:03:08

And now, as always, I’ll close this podcast by saying that this and all of the podcasts from the Psychedelic Salon are available for your use under the Creative Commons Attribution

01:03:13

Non-Commercial Sharealike 3.0 license.

01:03:16

And if you have any questions about that, just click the Creative Commons link at the

01:03:20

bottom of the Psychedelic Salon webpage, which you can find at psychedelicsalon.org.

01:03:25

And that’s also where you’ll find the program notes for these podcasts.

01:03:29

But before I go, I just want to repeat one more time a truth, a truth to me at least,

01:03:37

that Terrence so clearly stated just a few minutes ago.

01:03:40

And I quote,

01:03:41

In the silence, in the darkness, this is Lorenzo signing off from Cyberdelic Space.

01:04:03

Be well, my bag. If you want you can cross together, one foot, one foot.

01:04:47

One foot?

01:04:48

One foot?

01:04:49

One foot?

01:04:50

One foot?

01:04:51

One foot?

01:04:52

One foot?

01:04:53

One foot?

01:04:54

One foot?

01:04:55

One foot?

01:04:56

One foot?

01:04:57

One foot?

01:04:58

One foot?

01:04:59

One foot?

01:05:00

One foot?

01:05:01

One foot?

01:05:02

One foot?

01:05:03

One foot?

01:05:04

One foot? One foot? One foot? One foot? One foot? Oh, my God. Thank you. Thank you. You can’t run by, you can’t hide

01:06:45

You know you can’t run by

01:06:49

You know you can’t hide Thank you.